白.日.梦

this is Interesting work。I shot my self on macbook pro

Sweetness of thy name fills my heart when I forget mine---like
thy morning sun when the mist is melted.

here some work on ipod,if u like. u can download to be wallpaper:))
appshopper.com/entertainment/art-of-yang-ge

No.1---acrylic on cavans 30x40

No.2---acrylic on cavans 30x40

so bad weather these days.my motorcycle aslo bad on the way:)))..hummm

I have been  the seaside, some old boat looks like van gogh's painting

The winter coast, lonesome beaches and waterfowl

The distant mountains, a pair of lovers in the kiss

is this last Fruit?

pissaro will be like it:))

50x60 acrylic on cavans

当十月，风吹乱她的金发以及爱情和记忆
When the October，
The wind messed up her blond hair
with love or memory

corpse flower
40x50 acrylic on cavans

"The feeling for and love of nature always strike a chord sooner or later with people who take an interest in art. The duty of the painter is to study nature in depth and to use all his intelligence, to put his feelings into his work so that it becomes comprehensible to others.

But working with an eye to saleability isn’t exactly the right way in my view, but rather is cheating art lovers. The true artists didn't do that; the sympathy they received sooner or later came because of their sincerity. I know no more than that, and don't believe I need to know any more."
{Vincent Van Gogh b. 1853 d. 29 July 1890} [252]

Café Au Charbonnage

To Theo Van Gogh (Vincent's brother) from Laken (near Brussels)

November 1878 [148]

"That little drawing, ‘The Au charbonnage café’ is really nothing special, but the reason I couldn’t help making it is because one sees so many coalmen, and they really are a remarkable people. This little house is not far from Trekweg, it’s actually a simple inn right next to the big workplace where the workers come in their free time to eat their bread and drink a glass of beer.

Back during my time in England I applied for a position as an evangelist among the coal-miners, but they brushed my request aside and said I had to be at least 25 years old. You surely know that one of the root or fundamental truths, not only of the gospel but of the entire Bible, is ‘the light that dawns in the darkness’. From darkness to Light. Well then, who will most certainly need it, who will have an ear to hear it?"

Road with a man and pollard willows

To Theo from Etten (Gelderland, Holland)

October 1881 [175]

"Nature always begins by resisting the draughtsman, but he who truly takes it seriously doesn’t let himself be deterred by that resistance, on the contrary, it’s one more stimulus to go on fighting, and at bottom nature and an honest draughtsman see eye to eye. Nature is most certainly ‘intangible’, though, yet one must seize it, and with a firm hand.

And now, after spending some time wrestling and struggling with nature, it’s starting to become a bit more yielding and submissive, not that I’m there yet, no one is less inclined to think so than I, but things are beginning to go more smoothly. The struggle with nature sometimes resembles what Shakespeare calls ‘Taming the shrew’ (i.e. to conquer the opposition through perseverance). In many things, but more particularly in drawing, I think that delving deeply into something is better than letting it go.

I feel more and more as time goes on that figure drawing in particular is good, that it also works indirectly to the good of landscape drawing. If one draws a pollard willow as though it were a living being, which it actually is, then the surroundings follow more or less naturally, if only one has focused all one’s attention on that one tree and hasn’t rested until there was some life in it."

Bleaching ground

To Theo from The Hague

July 1882 [251]

"I’ve also done a bleaching ground at Scheveningen* on the spot in one go, entirely in wash almost without preparation, on a very coarse piece of torchon."

Fishing boats on the beach & Rooftops

To Theo from The Hague

July 1882 [251]

"I now have 3 of Scheveningen — again the Fish-drying barn you know — drawn in as much detail — only now there’s colour as well. As you well know, Theo, it isn't harder to work in colour than in black and white, the opposite perhaps, but as far as I can see 3/4 comes down to the original sketch, and almost the whole watercolour depends on its quality.

It isn’t enough to give an approximation, and my aim has been and still is to make it more intense. I believe that's already evident in the black-and-white fish-drying barns, because there you can follow everything and see how it all fits together, and look, I think this is why I now work much more fluently in watercolour, because for such a long time I did my best to draw more correctly."

Pollard willow

To Theo from The Hague

July 1882 [252]

I’ve attacked that old giant of a pollard willow, and I believe it has turned out the best of the watercolours. A sombre landscape — that dead tree beside a stagnant pond covered in duckweed, in the distance a Rijnspoor depot where railway lines cross, smoke-blackened buildings — also green meadows, a cinder road and a sky in which the clouds are racing, grey with an occasional gleaming white edge, and a depth of blue where the clouds tear apart for a moment.

In short, I wanted to make it like how I imagine the signalman with his smock and red flag must see and feel it when he thinks: how gloomy it is today.

Four people on a bench

To Theo from The Hague

September 1882 [262]

"Well, I hope that the small bench, even if not yet saleable, will show you that I have nothing against tackling subjects with something agreeable or pleasant about them, which are thus more likely to find buyers than things with a more sombre sentiment. [..]

There’s so much paint around that it has even got onto this letter — I’m working on the big watercolour of the bench. I hope it comes off, but the great problem is to retain detail with deep tone, and clarity is extremely difficult.

Adieu again, a handshake in thought, and believe me, Ever yours, Vincent"

Orchard in blossom with two figures: spring

To Theo from The Hague

October 1882 [271]

"How beautiful it is outdoors — I’m doing my best to capture autumnal effects.
I’m writing to you in great haste, I assure you that there’s a lot involved in compositions with figures, and I’m very busy. It’s like weaving: you have to give it all your attention to keep the threads apart; you must control and keep an eye on several things at once."

Miners in the snow: winter

To Theo from The Hague

October 1882 [271]

"Imagine, this week to my great surprise I received a package from home — with a winter coat, warm trousers, and a warm lady’s coat. I was very touched. The churchyard with the wooden crosses is often on my mind, so I may do some studies for it in advance – I would like to do something like that in the snow – a peasant funeral or the like. In short, an effect like the enclosed scratch of miners."

萌动季节--Germinating season
100x80 acrylic on cavans

self at village:) side my new studio
50x60 acrylic on cavans

morning.tree.nest
60x90 acrylic on cavans


working outside today--- near my studio

I was moved my studio to a new place these days
.here is songzhuang!!!an artist's village,



----meeting at great wall---
120x110 acrylic on cavans
Maybe You re feel strange about it.hehe..
yes.I made such scene.Albrecht Durer with Monalisa.
they meeting at china.:__))
an unexpected mystery story

Portrait of Susanne Florment
acrylic on cavans 50x60



In the frame

acrylic on cavans
60x60

I don't know why drawing it.

maybe something looks strong and In fact it is so frail.

a nest
acrylic on cavans 30x40


flying my baby
acrylic on cavans 30x40

the new life-part


full version--acrylic on cavans 50x50

http://appshopper.com/entertainment/wallpapers-of-yang-ges-art-lite
some works u can free download on iphone
enjoy it!

hairy boy-rock

acrylic on wood 50x50

About hairy boy with his beautiful girl friend.I saw their some photos

on internet.and I hear it so long time when i am a little child.

 he looks so happiness with his love now:))

Congratulations!

Im so interesting drawing it

我收藏的第一幅画，来自一个天才的女画家

她的“原生态”作品，我一向钟爱这些朴素艺术家的创作

她的简单的小画室

艺术来自民间

two ghosts with me

acrylic on panel

banned book

acrylic on panel

acrylic on cavans 70x70

secret
When she opened the fish....
acrylic on panel



wudu
acrylic on panel
给那些伤害我的人们


white whale
go to hell!!---human.

acrylic on panel  100x100

acrylic on cavans 50x60

 acrylic  on cavans 30x40

acrylic  on cavans 50x60

transposition from Jeronimus Bosch

I feeling okay now.I can keep to work:))
Thanks every friends!!

左臂被石头锉了一个洞，已经看见骨头，这次事故发生距前一次不到一个月。
医生用剪刀剪掉了一些损坏的肉皮，用消毒药棉探进伤口里清洗沙子。
缝合的时候有一点疼，可能是麻药打的不够。其他肩部大片面积的擦伤就不提了。
最近很不顺，伤身破财。骗子小人接踵不断。

night life.--digital paint/

Jessica